Tromeo and juliet tits license#
And, you know, with a little artistic license taken (it's a Troma movie, after all). But they cannot, and Zeffirelli is so far ahead of them, so much richer and deeper, so much more inspired in his interpretation of our greatest poet, that the Board of Education cannot fly with him and must find excuses in half a dozen frames of a joyous film.William Shakespeare's Romeo and Juliet. If Chicago's educators could show me a city filled with students who rejoice in Shakespeare, I would yield the point. The Chicago Board of Education I am informed, objects to the nudity and will not approve the film for educational use after its commercial run. I doubt whether anyone could see it and disapprove of it, but apparently someone has. Everything is red and brown and yellow, dusty and sunlit, except for the fresh green of the garden during the balcony scene and the darkness of the tomb.Ī lot of fuss has been made about the brief, beautiful nude love scene. As in his first film, "The Taming of the Shrew," Zeffirelli has controlled his colors carefully. In most productions, they are creaking relics.Īnd all of this is photographed with great intensity (even a hand-held camera for the dueling scenes) and beauty. For once, the nurse and friar are young enough to have empathy with the lovers. The key supporting roles of Friar Lawrence ( Milo O'Shea) and Juliet's nurse ( Pat Heywood) are also superbly cast. We understand the nature of the quarrel between Tybalt ( Michael York) and Mercutio ( John McEnery) instinctively because Zeffirelli has picked them for their types: cocky insolence vs. With the first shots of the film, we are caught up in the feud between the Capulets and the Montagues. Zeffirelli places his lovers within a world of everyday life. The love between Romeo and Juliet, and the physical passion that comes with it, are of that naive and hopeless intensity only those in love for the very first time can comprehend. We can see why Zeffirelli didn't want older actors.
Tromeo and juliet tits movie#
Zeffirelli reportedly interviewed hundreds of young actors and actresses before choosing them if so, then this is the first movie "talent search" worth the trouble. The success of the film depends upon Whiting and Miss Hussey. In a theater filled to capacity Saturday night, not one single person found it necessary to snicker when Juliet asked so simply where Romeo was we were looking for him, too. It is to the credit of Zeffirelli and his young players ( Leonard Whiting and Olivia Hussey) that they have brought the lines and characters of Romeo and Juliet back to life again. The same is true of Juliet's "Romeo, Romeo, oh, wherefore art thou, Romeo?" The very words bring back memories of campfire skits. When Hamlet winds up for "to be, or not to be," the entire audience is there ahead of him, waiting for those lines, watching them come down the track. There are some lines in Shakespeare too famous for their own good. Often enough, one cannot even remember what was said at moments of great emotion the words are outpourings of the soul.Īnd that is the effect Zeffirelli achieves in two almost impossible scenes: the balcony scene and the double suicide in the tomb. They do not, as anyone who has proposed marriage will agree. Always before, we have had actors in their 20s or 30s or even older, reciting Shakespeare's speeches to each other as if it were the words that mattered. To begin with, Zeffirelli's film is the first production of "Romeo and Juliet" I am familiar with in which the romance is taken seriously. It is a deeply moving piece of entertainment, and that is possibly what Shakespeare would have preferred. Nor is it greater cinema than Welles' " Falstaff." But it is greater Shakespeare than either because it has the passion, the sweat, the violence, the poetry, the love and the tragedy in the most immediate terms I can imagine. Not because it is greater drama than Olivier's " Henry V," because it is not. With this in mind, I believe Franco Zeffirelli's "Romeo and Juliet" is the most exciting film of Shakespeare ever made.
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